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Thematically ambitious and emotionally complex, Clint Eastwood's Flags of Our Fathers is an intimate epic with much to say about war and the nature of heroism in America. Based on the non-fiction bestseller by James Bradley (with Ron Powers), and adapted by Million Dollar Baby screenwriter Paul Haggis (Jarhead screenwriter William Broyles Jr. wrote an earlier draft that was abandoned when Eastwood signed on to direct), this isn't so much a conventional war movie as it is a thought-provoking meditation on our collective need for heroes, even at the expense of those we deem heroic. In telling the story of the six men (five Marines, one Navy medic) who raised the American flag of victory on the battle-ravaged Japanese island of Iwo Jima on February 23rd, 1945, Eastwood takes us deep into the horror of war (in painstakingly authentic Iwo Jima battle scenes) while emphasizing how three of the surviving flag-raisers (played by Adam Beach, Ryan Phillippe, and Jesse Bradford) became reluctant celebrities and resentful pawns in a wartime publicity campaign after their flag-raising was immortalized by Associated Press photographer Joe Rosenthal in the most famous photograph in military history.
As the surviving flag-raisers reluctantly play their public roles as "the heroes of Iwo Jima" during an exhausting (but clearly necessary) wartime bond rally tour, Flags of Our Fathers evolves into a pointed study of battlefield valor and misplaced idolatry, incorporating subtle comment on the bogus nature of celebrity, the trauma of battle, and the true meaning of heroism in wartime. Wisely avoiding any direct parallels to contemporary history, Eastwood allows us to draw our own conclusions about the Iwo Jima flag-raisers and how their postwar histories (both noble and tragic) simultaneously illustrate the hazards of exploited celebrity and society's genuine need for admirable role models during times of national crisis. Flags of Our Fathers defies the expectations of those seeking a more straightforward war-action drama, but it's richly satisfying, impeccably crafted film that manages to be genuinely patriotic (in celebrating the camaraderie of soldiers in battle) while dramatising the ultimate futility of war. Eastwood's follow-up film, Letters from Iwo Jima, examines the Iwo Jima conflict from the Japanese perspective. --Jeff Shannon
Clint Eastwood's early-21st-century output has endeared him to Academy Awards voters, and he makes another bid for their attention with this tale of the flag-raising at Iwo Jima. Eastwood cuts back and forth between the battle that led to the flag being firmly planted in enemy soil, and the tour undertaken by three of the flag-planting Marines (played by Ryan Phillippe, Jesse Bradford, and Adam Beach) in the aftermath of World War II. The re-creation of Iwo Jima features impressive APOCALYPSE NOW-style battle scenes, the air full of thick plumes of smoke, zinging bullets, and pounding explosions. But the most interesting part of the movie comes as the three men are paraded in front of the American public, as they vacillate between embarrassment and anger at the public relations campaign they find themselves embroiled in, while also pleading with the public to help provide funds for the soldiers who are still at war.