Platoon Special Edition DVD £3.49 at Amazon
In PLATOON, Oliver Stone uses his experience as an infantryman in Vietnam to convey the immediacy of guerrilla warfare: the brutal heat of the jungle, the brushes with such wildlife as snakes and leeches, and, most powerfully, the presence of the unseen enemy. Charlie Sheen stars as Chris, a raw recruit, or "new meat," who serves as the film's narrator. At first he wilts under the rigorous conditions of jungle life, freezes up in a firefight, and wonders whether he'll be able to survive. But he gradually adapts and, as time goes by, begins to see that the platoon is divided into two groups. One consists of lifers, juicers, and subintelligent whites, the other of blacks and heads. Sgt. Barnes, a combat-loving burnout (Tom Berenger), is the informal leader of the lifers, and Sgt. Elias, a free spirit (Willem Dafoe), leads the latter group. When the platoon takes some gruesome losses while on an o.p., an enraged Barnes kills some Vietnamese who may or may not have been VC and orders the burning of their village, outraging the temporarily absent Elias. As the conflict between these two reaches its tragic denouncement, Chris must decide what he really values. Widely regarded as one of the finest war films ever made, PLATOON reflects not only the nation's division over Vietnam but it intimately conveys timeless verities of battle: terror, disorientation, exhilaration, and horrible loss.
The 50-minute documentary "Tour of the Inferno" goes beyond the usual "making-of" to present a personal account both of the film and of Stone's own time in Vietnam. Likewise the two audio commentaries--one by Stone, the other by Captain Dale Dye, fellow veteran and military technical advisor--range between the making of the film and the degree to which the actors came to inhabit their parts, to their own wartime experiences. Both commentaries bring a fresh level of appreciation and understanding to the film. Also included is the original trailer and three TV commercials, together with well-presented stills galleries of behind-the-scenes photos and poster art. Following a credit sequence marred by dirt on the print, the anamorphically enhanced 1.77:1 image is sharp and clear. The many night scenes are very dark but remain easily comprehensible. The three-channel Dolby Digital sound is suitably raw and powerful, though an early sequence featuring rain in the jungle suffers from very distracting repeated drop-outs in the left channel