Same price at amazon if you prefer, but no Quidco; Elsewhere though: -
DVD Source £9.99
Actor Larry Bishop, who made his name in the '60s as the star of biker pictures like The Savage Seven revives the genre with Hell Ride, a rough and raunchy action-drama produced by indie director and cult film aficionado Quentin Tarantino. Bishop, who wrote, produced and directed the film, is also top-billed as Pistolero, chief of the outlaw Victors, who cruise the sun-baked Southwest to avenge a fallen mama. Their target is Billy Wings (Vinnie Jones), head man for the Six-Six-Sixes, and Michael Madsen, David Carradine and Dennis Hopper (himself no stranger to biker flicks) are along to make sure that the job is completed. As pure exploitation, Hell Ride delivers the goods: the cast overacts with relish, and the on-screen excitement is divided equally between chopper action, fistfights and shootouts and plentiful female nudity, all set to a soundtrack of new and vintage fuzztone rock. However, those expecting the complexity and sheer cheek of Tarantino's own features may find the picture a little too retro-minded for their own tastes, and Bishop's pulpy dialogue is more overcooked than Tarantino at his most self-indulgent. Still, those craving old-school cycle movie satisfaction are likely to find that action with Hell Ride
While it contains little of the artistry and none of the nuance of Quentin Tarantino's DEATH PROOF, HELL RIDE is a similarly fun retro romp through the seedier corners of American B-movie history. Written and directed by Larry Bishop (son of Rat Packer Joey Bishop), who also stars, HELL RIDE is a tribute to the biker flicks of the late 1960s and early '70s. The movie follows Pistolero (Bishop) and his two captains, the Gent (Michael Madsen) and Comanche (Eric Balfour), as they booze and brawl their way across the Arizona desert, with the ultimate goal of exacting revenge on a rival gang that murdered one of their members. A healthy mix of throat slitting, coke-sniffing, and naked female oil wrestling makes HELL RIDE one of the more gratuitously sensational films of recent memory; yet if one is able to get past the almost laughably blatant tastelessness on which the movie is built, there is a fairly good time to be had. As the dapper Gent, Madsen proves once again that he could read from the phonebook and still sound like one bad dude, and tip-of-the-cap cameos from Dennis Hopper and David Carradine solidify the film's enjoyably postmodern vibe. Every aspect of HELL RIDE, from the washed-out cinematography to the Link Wray-style spaghetti western surf soundtrack to the pulped-up dialogue, is hyper-stylised and blatantly self-conscious, and that is ultimately what saves the film. If there was even a hint of seriousness here the movie would be unwatchable--luckily, there isn't. Yes, it's completely offensive, and no it isn't going to win over any feminists, but for every BRIDESHEAD REVISITED, you have to have a HELL RIDE or the whole lousy business will just crumble.